The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. DOWNLOAD NOW buy now 19. (circa) or BCE.Ĥ50 BCE Medium terracotta, red-figure Dimensions 36.8 × 35.5 × 30.1 cm (14 1/4 × 14 × 11 7/8 in.) Credit Line Museum Purchase Fund Reference Number 1889.93 IIIF Manifest Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Status Currently Off View Department Arts of the Ancient Mediterranean and Byzantium Culture Ancient Greek Title Column-Krater (Mixing Bowl) Place Greece (Object made in) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. On the other side are three youths also in himatia – that on the left faces right, that in the middle also right, that on the right faces left. On the left, the youth is facing right and gesturing with his left hand next, a youth with a lyre is also facing to the right then a youth gesturing strongly and raising his stick as he leans to the right but with feet out-turned on the far right a final youth facing left, with a stick. A final brief evaluation of bathing facilities at Epidauros within the larger context of Greek sanctuaries assesses whether there is any conclusive evidence for therapeutic/curative water use at Epidauros.On the front of this vase are four youths in himatia.
Structures identified as specific bathing facilities will be assessed in chronological order, examining whether their function can be determined more closely based on criteria such as location and accessibility, design and size, bathing program, and water supply. On the front of this vase are four youths: the centre pair younger, tightly wrapped in himatia, the flankers, older, that on the left holding a stick. Thus, one would expect Epidauros to be at the forefront of new developments and to provide state-of-the-art therapeutic/curative facilities, particularly during its major expansion and monumentalization in the fourth and third centuries BCE.
While not the site of origin of Asklepios and his cult, his sanctuary at Epidauros became the most important in the Greek world from the fifth century BCE onwards, serving as “mother” and model for many other sanctuaries of Asklepios.
This paper critically reviews the archaeological evidence of bathing facilities in the sanctuaries of Asklepios and his father and cult companion Apollo Maleatas at Epidauros. Myth into Art: A Black-Figure Column Krater at the University of Virginia, in Approaching the Ancient Artifact: Representation.
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